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!! TOP Info´s !!

:::::::::::: Starting 1rst April MAE represented by Zebralution in the iTunes stores at an improved quality (256kb).  The MAE Partner Zebralution and his technical team has been preparing for this step for a considerable time, so that the delivery of new releases already fits the iTunes specifications for the new service. Parts of the older back catalogue are now being  redelivered in the new format. How much time the transformation into higher quality will take and when all releases will be available as 256kb files, lies in the hands of the Apple technical staff in Cupertino.

By the way: a special feature of the new deal is the possibility for all US iPhone owners to purchase self created ringtones from the iTunes Plus repertoire and upload those on their iPhone. This is part of the agreement and can’t be separately enabled or disabled. :::::::::::
 

::::::::::::: NEW MAE Shop`s for Distribution: A number of new shops and portals have been added to our distribution net since the last newsletter. A complete shop list is attached, but here we would nevertheless like to briefly introduce a few of the important new shops: - Kazzong, Germany (product type: full track) - Music Bay/ Merkaba Project, Russia (product type: full track) - Tracktacker/ DAREDO GmbH, Germany (product type: full track :::::::::::::::

 

:::::::::::::::: Shop update: A number of new shops and portals have been added to our distribution net since the last newsletter. A complete shop list is attached, but here we would nevertheless like to briefly introduce a few of the important new shops:- nuloop.com, France (product type: full track)

- DigitalOne, Switzerland (product type: full track) - Urban Amplified, UK (product type: full track)

- Daredo, Germany (product type: full track) ::::::::::::::::
 
:::::::::::::::: IFPI Digital Music Report 2008: The IFPI Digital Music Report for 2008 underlines the steady growth of the digital music market and the growing importance of digital music distribution. In the US 30 % of all music recordings have been sold through digital retailers in 2007. In the UK 77,6 million tracks have been sold online or mobile in the last year; a 47 % growth compared to 2006. In Germany the digital market increased by 38 %. And in South Korea digital sales even overtook physical sales in 2007, covering 60 % of the whole music market. Amongst others, the increasing figures are based on the technical development. The rapidly rising number of broadband lines (350 million, up 23 % on 2006), the establishment of cell phones with integrated music player and the steadily growing turnover of portable devices led to a launch of hundreds of digital music services (from less than 50 in 2003, to more than 500 services in 2007). 1,7 billion legal tracks have been downloaded at these services in 2007 – a growth of 53 % on 2006. In less than three years the worldwide digital share of all recorded music climbed from 2 % in 2004, to around 15 % in 2007. Source: www.ifpi.org  ::::::::::::::::
 
:::::::::::::::: Chart registration of download only singles: As reported in a previous newsletter, sales of download only products count for the German media control single-chart since July 2007. This affects all music which is solely distributed through the internet and has no physical counterpart. In this connection it’s important, that you inform us about the download exclusivity when providing us with the metadata of a relevant single release (implying marketing and promo efforts, that aim at a chart entry). Hereupon we care for the chart registration, which has to be done 10 days ahead of the release date, latest. ::::::::::::::::
 
Home arrow Press arrow Complete Interview with the MAE-founders
Complete Interview with the MAE-founders PDF Print E-mail

Germany; Heppenheim 21-10-2007:  You call MAE the first organic music branch in the world. What brought you up to this idea?  Lennart Cole: not only organic branch but also Fair Transfair and jumping off point. Artists aren’t going to be exploited and MAE won’t make profit with them. Organic is the most modern and demandind system that exists up to date for conserving a healthy product. We live at the beautiful whine street between Darmstadt and Heidelberg and would like to quote a whine-grower who said: “Organic is a challenge.

The soil on which the grapes are growing is a living organism and our products reflect that. The soil isn’t trained, not pressed solely into yielding more. Organic is a challenge because soil is living. The taste is different every year but the soil remains alive.“ Organic for us means also that we do something and not only sit and wait and watch what the lust for profit is doing to unknown artists and individualists. We do something, if needed with the help of lawyers to protect these artists.

Mainstream could be called conservative farming figuratively speaking? Lennart Cole: Yes, I would say so. Mainstream and Co. is conservative. What is killed with pestizids can be trained because the laws of conservative farming “mainstream” require it to be so. It’s called music “industry” for a reason. Music is much more than a genre and even more than the aspect marketing. Mainstream is about 1% of what music has to offer. Mainstream starlets don’t create own work. The work for money in the pocket and „make me a star“.

What do you want to do? Anisha Cay: We just do it differently and that we do as professionals. What’s the interesting thing when everything is similar or the same? Music is supposed to be individual and real stars have developed into that because the have to offer something very individual. These are stars. Everyone who’s doing something individual is a star for us.

How are you going to be different?
Anisha Cay: We don’t need to be different. We think, function and do things as we see them. Music has so many facettes. There’s so much to be shown with music that it would last for a lifetime. We want to encourage listeners to become interested in music. People have forgotten to really listen to music. We want to make it obvious what an artist wants to say with his music and what can be felt and experienced by this music. Music can heal. Music can tell stories, comfort, animates to dance and break free. Music can make thoughtful. Old, forgotten songs are re-invented by living artists. Every one of this artists is going his own way, does something individual. For us it’s not important if the idea can be marketed or not. Important is the professionality of the artist and that it is his own way, his own thing.

What’s professional for you? Lennart Cole: Someone who knows his trade. No one can weld a horseshoe if he can’t weld. The artist is supposed to know his art, that’s profession for us. But he also has a right to develop. Anisha Cay: He should stand behind his projects. We want to hear his heart beat.

Money or profit doesn’t seem to matter for you. Anisha Cay: We simply love music and music is colourful. Off course we have to pay taxes, run a company and survive. To go bankrupt would help nobody. Not us, nor the artists or the listeners. Therefore Fair Transfair. We share an idea with the artists. We move up with this idea, artists alone make it alive. We can’t accomplish that alone. I hope they are going to kick in our doors and force us to work double shifts. We want to accomplish that artists consider MAE their property and we have thought of a lot of things that will be set in motion step by step in 2008 and 2009. To achieve that we have to take care that we don’t ruin ourselves. We split the forces and the load on many shoulders.

What you have accomplished so far has cost a lot of money? Lennart Cole: Yes, that’s right. It’s an investion. Every arist invests in his production, work in the studio, printing, etc. That is costing his money. But I don’t want to talk about how much money we have spent. More than enough and even more time. But it’s a lot of fun. Although even small sums can become exorbitantly high with MAE.
Anisha Cay: 60 EUR per CD isn’t that much money but if you print 500 products suddenly it’s 30.000 EUR. Here at MAE everything we’re doing is focusing a dozen- or hundredfold. Some artists don’t understand it right away.

Ho well is the MAE idea been accepted. What do you think? Lennart Cole: We wish that many arists find their way to us and that we MAE will be able to build our plans on a solid international foundation in 2008/2009. We work already on that. We have a lot of experience with artists and know what they need and will have an open mind if requirements are added or things change. We want with them MAE to become so big that everybody in the world will know of MAE and will be able to be enthusiastic for the music and the artists. They are supposed to snooze around the music world and be amazed what else exists in this world and what music and artists do and effect. Our goal is to have at least 500 artists under contract at MAE in the end of 2009.

500 artists. You are a small company, only a few people.
Anisha Cay: Yes, we are but still we are steadily growing. We already work closely with partners and will get more partners this year. Everyone has his specialty. MAE can grow this way more and more without getting into shortages. Either publisher, distribution, film/commercial industry, own server-technique, internet-programming, accounting or even IP-TW. We are in contact with people and already do a lot together with them before they become partners. And then we aren’t that small any more. Off course, Major are big but inflexible. Everybody who works or has ever worked in a company knows that. We can’t and won’t compare ourselves with Major but maybe in a few years we get there and Major will visit our homepages and discover artists that are of interest for them. That’s why MAE is considering itself as jumping off point.
You just said contract? Anisha Cay: Off course, contract. We have contracts, too. With organisations, GEMA, GVL, partners, distributors, platforms, phono industry, etc. Without contracts with artists nothing goes in the music business because we wouldn’t be allowed to do anything for the artist. The artist may choose between distribution and/or publishers contract. And here again comes Fair Transfair into play. We have special contracts, want to work with one another and not against each other and at the same time we will enforce the self marketing of the artist in a very own way. At the moment we don’t want to say more. Is will be a healthy mix. A giving and taking. That brings balance. And the MAE-World will realise that.

Please say something about the World-of-MAE.
Lennart Cole: The World-of-MAE will be something that will make that possible what artists need and a bit more. No further comment on that. We know how fast marketing philosophers and “quick-money-maker” are. We don’t want that this idea is brought to a ruin. We will simply start and that step for step at a breath taking pace. We will start 2008 and at the end of 2009 MAE-World will be there in his full capacity and for some it will be a shock but for the most and with that we mean artist and listener it will be pure delight.
Thank you for this interview.
You’re welcome Claudia.


Anisha Cay and Lennart Cole meeting with and at friends on October 22, 2007. Copyrights MusicArtEmotions.com “Thanks for taking notes and transmitting”

 
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